Friday, October 15, 2010

Some Walls


Two random email alerts I receive are from two art galleries – one in Beijing (see my May 7, 2010 post, Deceivingly Simple), the other in Oakland, Calif. I’m not complaining, actually I’m happy to learn about their new exhibits.  Some Walls, the Oakland gallery, is a bold, brilliant, and insanely creative concept. The gallery is a couple of walls inside the private home of artist and writer Chris Ashley. A visit requires scheduling an appointment. Annually, Ashley curates six solo exhibitions in his home, which are accompanied by an essay, and documented at somewalls.com. Featured in the exhibits are small collections of recent work by established artists, sometimes made specifically for these walls. The project aims to be international in focus. Some Walls does not encourage unsolicited submissions of artist work—the project’s program and process is well-defined, and Ashley warns that inquiries may not be answered. For more information contact Chris Ashley at info@somewalls.com or visit the site to be added to the newsletter list for Some Walls: A curatorial and writing art project.

Thursday, October 14, 2010

A Blue Night at Caroline’s

The collage of humanity in its entirety made its way to the jam.  Now 76, he learned the blues at age 8, but his mamma told him ‘stay away from that devil’s music, it won’t do you no good.’ When he sings Hoochie Coochie Man, he means it. Then there’s the old trombone man, the only brass playing tonight. Looking like he fell off the circus wagon, he sips his beer frothily and slides notes mournfully into the gaps left open for him. He knows when to harmonize with Jimmy’s enigmatic blues harp, which holds the corners together when the heartbeat of the bass wanders down her own dark alley. With cat’s pivot, he blows the guitar man into his solo. Guitar Man’s licks echo down to the crossroads where devil’s music deals are made. A young gypsy woman with enough age lines on her round face from rough living jumps the stage to wail ‘but you know he is, everybody knows he is, oh you know he’s my hoochie coochie man.’ And the women she’s with shout “you know he is, girl…you know he is!’ It’s building…and building to the epiphany…  Big O slaps his keyboard with his giant hands and nods to the guitar player for one last push from his strat. He works it, bending blue notes around the room and clear through the ceiling as the sweaty crowd converges with devil-be-gone yelps and hollers.   

Friday, October 8, 2010

Peace Symbol

The anti-nuclear emblem or peace sign has become one of the most recognizable symbols in the world. In 1958, graphic designer Gerald Holtom, who was a member of Britain’s “Campaign for Nuclear Disarmament (CND),” devised the emblem as a way of quickly telegraphing opposition to nuclear weapon development. After exploring a number of design options, Holtom settled on using the naval flag code of semaphore. He used the code letters for N and D—nuclear disarmament. In 1958, the anti-nuclear emblem had its first use in a protest demonstration against the Aldermaston facility, a British research center for the development of nuclear weapons located in Berkshire. The symbol migrated to the U.S. where it was used in civil rights marches and in anti-Vietnam-war protests (which some American soldiers referred to it as the “footprint of the great American chicken”). Deliberately never copyrighted, the symbol is still recognized in Great Britain as the logo for nuclear disarmament, but is known worldwide for peace and non-violence. No one has to pay or to seek permission before they use it. As a symbol of freedom, it is free for all. Peace-symbols are used everywhere, but I like the little one-inch, union-printed black buttons with a white symbol—the original color scheme—available HERE. 

Monday, August 16, 2010

Irish Dance & Culture

This may seem a bit of a trick question of the when-is-the-4th-of-July ilk, but it must be asked: Irish dance is strongest in which two areas of the world? Answer: (1) Ireland and (2) America’s Midwest, specifically Chicago and Milwaukee. The strongest Irish dance competitors and best performers are from these two parts of the world.  And the strongest Irish dance schools are located there as well. A young Irish dance school—only four years old—is located in the northern suburbs of Milwaukee. Rince Nia Academy of Irish Dance & Culture offers students, ages four through adult, the opportunity to learn Irish dance for competition and performance. “Rince Nia,” pronounced rinka nia, is Irish for dance champion.  Rince Nia will perform at Milwaukee Irish Fest, the world’s largest celebration of Irish music and culture, with more than 100 entertainment acts at the four-day, 16-stage event, running August 19-22, 2010. The Academy is owned by Sean & Jillian Beglan, both former performers in Riverdance. Sean, who was the lead in Riverdance, was recently interviewed on Lake Effect, produced by the local NPR affiliate, WUWM. The interesting interview provides a mini-bio of Sean, describing his career from his roots in County Caven Ireland to becoming the owner, primary instructor and artistic director of Rince Nia Academy of Irish Dance & Culture, as well as describing the school’s family-oriented, student-centered teaching approach.

Friday, August 13, 2010

Art from the Gray World

Good artists grow, evolve, and adapt to their changing world. Mark David Gray is a terrific Milwaukee painter who incorporates architectural precision, sensual abstraction, and a sophisticated and unique approach to portraiture in his large pieces of work. Gray’s painting collection from 10 or more years ago is not the same as a few years, which is not the same collection he’s building today. Yet, you can mount his work from the past through today on a giant, bigger-than-life wall and it will be apparent that they are all from Mark David Gray. The artistic essence… the creative take of the world rings true. That’s what makes Mark David Gray notable. Gray writes: Themes dealing with individuality, community, propaganda, consumerism and spirituality prevail in my work. The painting, Economy+Nothing, I question the real motivations of our economy by combining the recognizable images of the Wall Street bull, a symbol of power, money and greed, against the background of flying war machines and the ubiquitous, patriotic stars and stripes. With this combination of popular imagery, I utilized bold, saturated color to unsettle the viewer while subverting the images “media-tized” context.

Wednesday, August 4, 2010

Raymond Chandler

On the list of Must-Read-Before-You-Die books has got to be The Big Sleep, by Raymond Chandler. Published in 1939, Chandler helped define the hard-boiled private detective and developed dark, but beautiful, scenes throughout the book. A master of extreme similes that fit like a soft-leather glove on a lady’s well-formed hand, Chandler writes like no others, although others write like Chandler. His main character in The Big Sleep is Philip Marlowe, the wisecracking, hard drinking, tough private eye who is also quiet and philosophical, enjoying chess and classical music. Morally upright, Marlowe is not tempted by the femme fatale charms of his client’s two beautiful daughters—even when one of them is naked and beckoning him. Nope, Marlowe would rather eat glass (probably washed down with a shot of rye whiskey) than succumb. The book is easy to read, but Chandler’s crafted language needs to be savored. Cheap copies of the book should be readily available. Even if—as Joe Brody, a bad guy in The Big Sleep says—you’ve “been shaking two nickels together for a month, trying to get them to mate,” there’s always the library. Read the book before you enter your big sleep.

Tuesday, August 3, 2010

The Visual Dictionary


This site is just plain fun. The Visual Dictionary is a collection of words – which are photographs of signs, graffiti, advertising, tattoos, packaging, menus, writing in the sky, you name it… Created by Matthew Knight, a UK-based freelance technical creative director, the site collects contributions from anyone, anywhere in the world who can snap a photo of a word or phrase found in the real world. It helps if the shooter frames the photo creatively where possible, although that’s not a requirement. It’s a wonderful collection and an innovative idea that can tickle the imagination for the practical to the obscure uses.