Showing posts with label upright bass. Show all posts
Showing posts with label upright bass. Show all posts

Saturday, January 12, 2013

The Doorman's Diary 1.10.13

There is a blue hue to the night...as though a backlight was being smothered  by black cotton. It's comfortable, not menacing...a perfect night for jazz. I arrive for my duty at the door knowing I will enjoy the night more than I should. We have a jazz guitar quartet. The guitarist is ancient and could easily claim to have invented jazz. As far as he's concerned, he did...at least for the greater city where we live. He created the jazz program at the local music conservatory where most everyone in jazz with local roots has studied, taught, or tutored. He is a god. And like all old gods, he's cranky, impatient, and less perfect than he used to be. He still plays exquisitely but the the frenzy is gone. He's more relaxed, which matches my need for the night. It also matches the needs of a young couple, in town here for a government employee convention. They melted into their stools at the bar and had exhale aaaaaaahhh grins of satisfaction -- as did a foursome sitting next to them. I notice that two guys of the three guys and a young woman foursome has ordered Jameson neat. I mention to the Jameson sippers that they need to someday soon try the 18-year-old Jameson. I learn that they are both a couple years within university graduation--one is a CPA and the other a mechanical engineer. "You guys defy the stereotype of being quiet introverts," I say--realizing as I say it that I'm being rude. "Oh, not at all," they say. "In most instances, that's accurate." They are genuinely nice and likable guys, and emblematic of a generation that goes to a university for a profession, not to expand one's view of the world, and gets a high-paying job after graduation. The expectations are realized. The well-ordered plan is followed. I break from them and watch the old guitarist finger his way through a lovely solo and smile in appreciation knowing that my enjoyment--as well as everyone else's in the club--is his pay.

Saturday, August 11, 2012

The Doorman’s Diary: 8.10.12


The old timer super-accomplished jazz guitarist played with a taught trumpet player, stand-up bass (YES, the way jazz bass should be), and a drummer. It felt right and clearly sounded the way jazz should sound. A small group came to the club. They are headed up by a hyper-enthused gentleman who is a long-time jazz drummer and includes a friend and her adult son who are visiting from Greece. I was glad to see an irregular regular show up with his seeing-eye dog. I made sure to phrase my greeting better than the last time, when I said something like “You haven’t seen us in awhile” – ugh! The couple accompanying him are regulars and the man in the couple is a hand percussionist. Suddenly a pair of bongos appears in his hands and he joins the group for a couple of numbers and adds some Latin spice to the music. Very impressive contribution, since the quartet clearly has heavyweights that leaves no holes in their music. It was neat to see how seamlessly they made room for very note being expertly pounded on the skins. The absorption was complete. Later in the night a couple arrives that I immediately fall in love with. I know that doesn’t sound professional for The Doorman to admit, but it was clear that they are both genuinely good, friendly, and from the astute perspective of The Doorman it was clear they belong to each other. When he was at the Men’s Room, I learn that she’s 28, they’re on their 5th or 6th date, she loves jazz and blues but he doesn’t, he’s a kind and gentle man, he’s more of a dog person where she is neutral on the dog vs. cat question, and she has a 9-year-old daughter. I looked into her cute face and said, “If you at all wonder whether there’s a future with this guy, let me bestow the wisdom of The Door on you… your daughter can see through any façade, game-playing, or walls better than Superman’s X-ray vision, so if she likes him and thinks that he’s genuinely good, my advice is to set the hook and reel him in.” She nodded her head vigorously and said, “That’s exactly what I’ve been thinking, you’re right!” I returned to my post and crossed my fingers in the hopes that I am privileged to be witnessing the beginnings of a beautiful relationship.


Sunday, July 15, 2012

The Doorman’s Diary: 7.14.12


Magic took place tonight. The vocalist we have tonight was contracted just a few days earlier had to round up a trio to back her up. She did a masterful job of collecting three seasoned pros. Each musician—piano/keyboard, stand-up bass, and drums—are incredible. But the catch… they had never played together as a trio.  What was incredibly impressive was to see them flawlessly play together. I was familiar with the keyboard player since he has filled in with the house band where his talents are clearly restrained. In the trio setting he opened up like an enormous firework filling the summer sky. The bass player had such a competent, round-note sound that I asked one of our regular customers who is an old jazz-music educator and authority to tell me what I was hearing. He explained: “Oh, he’s classically trained and sometimes fills in with the Symphony, in addition to having decades of jazz experience.” No shit, is what I thought. He also said that the bassist is a genuinely nice guy and he’s convinced that really good musicians that are really good people have a way of infusing that positive energy into their playing. I said, I know the keyboard player as a somewhat shy, reserved guy who I think of as being a good guy as well. “What about the drummer,” I ask? He’s known as a superlative jazz drummer… the go-to guy when you need an experience drummer… a musician’s musician, is what he said. The vocalist is an old pro and sounds good, but to be honest the magic took place behind her and when she took breaks to rest her voice. Three top-flight jazz musicians who all are apparently nice guys blending their talents together positively. Total magic.

Saturday, June 30, 2012

The Doorman's Diary 5.29.12


It is a delightful jazz guitar quartet night—electric guitar, upright, sax, and drums. What I love about top-flight musicians is that a bunch that have never played together, when tossed together, can play together. The guitar leader has three new musicians that he’s never had here before (to be fair, he may play with them all the time and it may just be me that’s never seen them all play together). The tenor / alto man is noteworthy and the young kid on bass (who is actually underage) is daddio cool. The bass player has a velvet sound, which matches the music they’re playing. Several newbies have come tonight to the jazz club. A couple of women from a distant “safe” suburb made a special trip into the big city to hear jazz. A young lone wolf sat most of the night with a goofy grin of jazz joy on his face. “You belong here,” I say to him. “You know it, brother.” On the cusp of closing, a pair of women came in. The vivacious brunette in the pair functions as the fun fairy of friendship warming everyone with her smile. She has California confidence and makes sure to tell everyone that she’s visiting from California. If we sold BEST FRIENDS necklaces at the club, there would be a lot of us wearing half-heart necklaces with ST / ENDS engraved on them.